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Following a five star, sold out run at the Royal Court Theatre, Jez Butterworth's epic new play The Ferryman transferred to the West End. Directed by Sam Mendes, The Ferryman has received unanimous critical acclaim being called “an instant classic” (Independent) and “the hottest of hot tickets” (Guardian).  

Please note: evening performances start at 7pm

1965. A new phenomenon erupted out of London’s East End. It was the essence of all that was cool. It was Mod.

All Or Nothing – The Mod Musical follows the rise and demise of Small Faces, the band who encapsulated all that was Mod – a unique blend of taste and testosterone, clothes-obsessed and street-wise – but most of all, a dedication to rhythm ‘n’ blues.

One sunny evening a young girl walks to visit her Grandma, she never arrives....

A play about retribution, remorse and redemption, Frozen explores the interwoven lives of three strangers as they try to make sense of the unimaginable.

One of the world’s greatest chess masters, one American, one Russian, are in danger of becoming the pawns of their governments as their battle for the world title gets under way. Simultaneously their lives are thrown into further confusion by a Hungarian refugee, a remarkable woman who becomes the centre of their emotional triangle. This mirrors the heightened passions of the political struggles that threaten to destroy lives and loves. Includes the international hit singles ‘I Know Him So Well’ and ‘One Night In Bangkok’. Other well-known songs from the score include ‘Anthem’, ‘Someone Else’s Story’, ‘Heaven Help my Heart’ and ‘Pity The Child’.

A strange new act has arrived at the fairground.

Who is Grinpayne and how did he get his hideous smile? Paraded as a freak, then celebrated as a star, only the love of a sightless girl can reveal his terrible secret.

Harold and Maude is an idiosyncratic fable told though the eyes of the most unlikely pairing:  a compulsive, self-destructive young man who attends funerals for entertainment and a devil-may-care, septuagenarian bohemian.  

Cirque Berserk! Real Circus made for theatre.

Showcasing the finest in traditional circus thrills and skills, Cirque Berserk bring this treasured from of live entertainment bang up-to-date in a jaw-dropping spectacular – created especially for the theatre.

Inspired by the kings of swing: Frank Sinatra, Dean Martin and Sammy Davis Jnr, The Tap Pack are bringing a new, exhilarating energy to a timeless style.

With slick suits, sharp wit and songs from Sinatra to Ed Sheeran, Australia’s finest tap dancing performers are a cocktail of pure entertainment.

The Tap Pack and their four-piece live band serve up classics with a twist, infused with world-class tap dance.

It’s early 1943. Hitler’s Germany and Stalin’s Russia are in a bitter struggle for their very survival. Life and Fate is a sweeping panorama of Soviet Society, an epic tale of a country told through the fate of a single Jewish family, the Shtrum’s.

A king is forced to choose between love and political expediency. His decisions allow his country to slide into civil war, and turn his wife and son against him.

Lessons in Love and Violence is the latest collaboration between composer George Benjamin and playwright Martin Crimp, two of Britain’s most celebrated artists. Much of that acclaim stems from their partnership, which produced first the chamber opera Into the Little Hill in 2008 and then in 2012 the large-scale work Written on Skin – which has since become the most performed new opera of the 21st century.

Fane Productions present two-time Tony Award nominee and two-time Golden Globe Award winner Kathleen Turner in her debut cabaret, appropriately titled Finding My Voice.

This ground-breaking play is a provocative tale of love, victimisation, fantasy and the friendship that develops between two strikingly different men imprisoned together in a Latin American jail.

"Peopel should expect the unexpected from The Waterboys, "says Mike Scott. It's a mission statement which has inspired  three decades of compelling musical shape-shifting and one which yields thrilling results on The Waterboys' eleventh album, Modern Blues, released in January 2015. 

A freewheeling rock and roll record with a southern soul edge, Modern Blues was recorded in Nashville by a line up including Muscle Shoals legend David Hood on bass , Austin guitarslinger Zach Enrst, and Memphis keyboard wizard Brother Paul, all of whom play in 2015 touring line up of the band. The join Mike Scott, Irish electric fiddle great Steve Wickham and ace drummer Ralph Salmins at a time when the relevance and popular reach of The Waterboys has never been greater. 

The award-winning team Cecilia Bengolea and François Chaignaud have collaborated together since 2005, creating works for Lyon Opera Ballet, Tanztheater Wuppertal Pina Bausch and themselves.

Following on from the phenomenal success of Transfigured Night, Danish choreographer and two time Olivier Award-winner Kim Brandstrup creates a new work for Rambert.

After a lifetime of incarceration, a man gains a single day of freedom in this retelling of the 17th century play by Pedro Calderón de la Barca. Illusion and reality collide as legendary film-makers the Quay Brothers place the action in a dream-like world. A full-size symphony orchestra adds to the other-worldly atmosphere with the rich, harmonious music of Witold Lutoslawski for this tale of revenge and reconciliation.

It has been described as the film of its generation, capturing the hearts of everyone whilst breaking records around the world. Now La La Land will be experienced like never before in London accompanied by a 60—piece orchestra with the film live on a huge screen.

Three ballets from three very different choreographers, all closely associated with The Royal Ballet: a world premiere from McGregor, dark drama from MacMillan and acclaimed ensemble work from Wheeldon.

Joel Drake Johnson’s incendiary new play examines underlying racism in the workplace, white guilt and the manipulation of women by men in power. Rasheeda Speaking is a shocking dark comedy that keeps you in its claustrophobic grip until the final moment, proving that nothing in Middle America is ever truly black or white.

Directed by Jonathan O’Boyle (Hair, Dear Brutus) and produced by Troupe (Dear Brutus, The Cardinal – The Telegraph Critics’ Choice), who make their debut at Trafalgar Studios.