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Thirty-six years after the ground-breaking original Broadway production, this UK and West End premiere of the sensational and iconic musical Dreamgirls continues its run at the Savoy Theatre.

Featuring an eighteen piece orchestra playing 50 Motown tracks including “My Girl”, “Dancing In The Street”, “Ain’t No Mountain High Enough” and “I Heard It Through The Grapevine”, Motown The Musical is a musical sensation with real soul.

Experience the thrill of London’s most spectacular musical as Bat Out of Hell brings to life the legendary anthems of Jim Steinman and Meat Loaf, in a critically-acclaimed, award-winning production that combines the magic of a musical, with the immense energy of rock 'n' roll.

D-Day, June 1944. The Allied forces led by General Eisenhower are poised to launch. 350,000 lives are at stake and the decision of whether or not to attack comes down to the most important weather forecast of all time.

Due to phenomenal demand, the multi-award winning and critically acclaimed Lincoln Center Theater’s production of Rodgers and Hammerstein’s The King And I has extended its engagement for a final three weeks to Saturday 29th September at London's iconic Palladium. This is the very last opportunity West End audiences will have to see the Broadway stars reprise their original roles on the London stage.

MGC Artistic Director Michael Grandage directs a rare revival of Martin McDonagh's critically acclaimed, brilliant satire on terrorism, THE LIEUTENANT OF INISHMORE. Stage and screen actor Aidan Turner, best known for playing the title role in the BBC hit series Poldark, plays Mad Padraic, a terrorist deemed too violent to be a member of the IRA, in this hilarious, acute observation of violence in contemporary culture.

The finest Shakesperean actor of his generation, Simon Russell Beale stars in the Bard's matchless tragedy about an aged king who decides to divide his kingdom between his three daughters, according to which of them is most eloquent in praising him. Sam Mendes directs.

Greetings, salutations. Welcome to Westerberg High, where Veronica Sawyer is just another of the nobodies dreaming of a better day. But when she’s unexpectedly taken under the wings of the three beautiful and impossibly cruel Heathers, her dreams of popularity finally start to come true. Until JD turns up, the mysterious teen rebel who teaches her that it might kill to be a nobody, but it’s murder being a somebody…

The Height of the Storm is a beautifully compelling family drama by Florian Zeller, 'the most exciting playwright of our time' (The Guardian). Starring two of the greatest actors of their generation on stage together for the first time, this major new play from the writer of Olivier Award-Winning The Father is a searing exploration of love, family and the fragility of life.

Somewhere in Europe the kingdom is disintegrating. It’s the last day of King Bérenger’s life. Queen Marguerite is preparing for the end and Queen Marie is in denial. The King is 400 years old and dying, but he’s clinging on for dear life

This great tragi-comedy is brought to life on the Olivier stage this summer, the first time Eugène Ionesco’s work has been performed at the National Theatre.

THE WEST END’S SPECTACULAR PANTOMIME RETURNS THIS CHRISTMAS!

Dawn French stars alongside returning London Palladium pantomime royalty Julian Clary, Paul Zerdin, Nigel Havers and Gary Wilmot joined by Strictly Come Dancing’s Vincent & Flavia in Snow White, London’s must-see panto.

Marianne Elliott directs Company, Stephen Sondheim and George Furth’s musical about life, love and marriage. Elliott & Harper Productions present this iconic musical comedy with the lead role of “Bobby” re-imagined for the first time as a woman.

Following a critically acclaimed, sold-out run at the Almeida Theatre, Rebecca Frecknall’s ‘shiveringly beautiful production’ (The Sunday Times) of Tennessee Williams’ Summer and Smoke transfers to the West End’s Duke of York’s Theatre for a strictly limited season. 

Two miniature comedic masterpieces from the 1960s, The Lover and The Collection, which explore secrets, lies and seduction, are directed by “major Pinter interpreter” (Financial Times), Jamie Lloyd.

Landscape and A Kind of Alaska, directed by Jamie Lloyd, are spellbinding evocations of loneliness, isolation and the strange mists of time.

Landsape is a minimalist marvel: a woman is locked in a beautiful memory and her husband demands to be heard. In A Kind of Alaska, Deborah awakes from a twenty-nine-year sleep and is suspended between the conscious and unconscious worlds.

Olivier Award-winner Iwan Rheon (Game of Thrones’ Ramsay Bolton, Misfits) stars in the West End premiere of Dawn King’s award-winning thriller.

England is in crisis. Fields are flooded, food is scarce and fear of the red beast grips the land.

William Bloor, a foxfinder, arrives at Judith and Samuel Covey’s farm to investigate a suspected fox infestation. The Covey’s harvest has failed to meet their target and the government wants to know why. Trained from childhood, William is fixated on his mission to unearth the animals that must be to blame for the Covey's woes. But as the hunt progresses, William finds more questions than answers…

‘Shepard's masterwork. It tells us a truth, as glimpsed by a 37 year old genius.’ New York Post ‘Sam Shepard is contemporary American drama, True West is contemporary America’ The Guardian ‘Shepard’s most accessible play. Scaldingly funny’ Variety Kit Harington (Game of Thrones) and Johnny Flynn (Beast, Genius) star as warring brothers Austin and Lee in the West End Premiere of Pulitzer Prize-winner Sam Shepard’s ferociously funny, modern classic, True West. Austin is working on a movie script that he has sold to producer Saul Kimmer when Lee stumbles back in to his life. Never content to watch from the sidelines he pitches his own idea to Kimmer, an action which has far reaching consequences... Set in the searing heat of the Californian desert this critically acclaimed drama pits brother against brother as a family tears itself apart, exposing the cracks in the American Dream.

A scathing and bitterly amusing attack on the increasingly powerful and narcissistic super-rich, set against the backdrop of terrifying state oppression, the highly pertinent Party Time is paired with Harold Pinter’s final play, Celebration.

Harold Pinter’s first play, The Room, features in a triple-bill directed by Pinter’s colleague and friend, Patrick Marber. An all-too-familiar and frighteningly topical brand of English xenophobia runs through this darkly funny and unexpectedly odd play from 1957. In the hilarious Victoria Station and the reflective Family Voices, isolated voices attempt to communicate, but can we ever truly express the depths of our feeling?

The Pinter at The Pinter season culminates with two unmissable comedies that explore the political machinations of the powerful and the powerless.

When a mysterious figure enters their elegant country home, the lives of Flora and Edward are changed forever.

Don’t miss the extraordinary and joyously original Caroline, Or Change, as the five-star, Olivier award-winning musical transfers to the West End this November following sell-out runs at the Chichester Festival and Hampstead Theatres.